Intention
You do not need to be chosen
@mangoseason Narrated by Bret Rose 2:16 30 shots
0:00 2:16
You have an idea you keep almost starting. It survived the winter. It survived several very reasonable arguments for why somebody more qualified should handle it, and it is still here this morning, which is more than most ideas manage. The room is bright. Nothing is stopping you in any physical sense. It is worth sitting with that for a moment before the day fills up.
A pen you have not used in a while. Dust turning over in a shaft of light near the shelf. The low electrical hum a building makes when almost nobody is up. There is a notebook with three pages used and the rest waiting, which is the most honest object in the room.
You have been waiting for somebody to pick you. A commission, an invitation, a title, some external signal that you are allowed. That wait can absorb an entire decade, and the reason it does is that the signal you are waiting for is almost always issued to people who already started. Nobody hands a stranger permission to make something. They hand it to whoever is visibly already making it, which means the credential you want is downstream of the act you are withholding until you get the credential. You have been standing at the wrong end of your own process.
Look at what the waiting is actually doing for you, because it is doing something. As long as the thing has not begun, it cannot be judged, and an unbegun project keeps a perfect record. That is not laziness and it would be unkind to call it that. It is protection wearing the costume of standards, and it works beautifully right up until you notice that a perfect record of nothing is what it produces. The people whose work you admire did not have better permission than you. They had earlier drafts, and most of those drafts were bad, and none of that turned out to matter.
So today you begin it, and you tell nobody. Not a post, not a message, not a mention to somebody supportive. Telling people gives you a small taste of the reward without the work, and that taste is worth spending on the actual thing instead. Fifteen minutes on the real object, in private, is the whole assignment.
Nobody is coming to authorize this. That sounds like bad news for about four seconds and then it turns into the best news available, because it means the gate you have been waiting at was never locked. Push it. It opens from your side.